Our Next Good Read: Echo

Join us May 22 at EchoCasa Rondeña Winery (733 Chavez Rd, Los Ranchos De Albuquerque) from 5:00-7:00 pm to discuss our next book.  We are reading Echo by Pam Muñoz Ryan.

Here’s a sneak peek into the book from Goodreads:

Winner of a 2016 Newbery Honor, ECHO pushes the boundaries of genre, form, and storytelling innovation.

Lost and alone in a forbidden forest, Otto meets three mysterious sisters and suddenly finds himself entwined in a puzzling quest involving a prophecy, a promise, and a harmonica.

Decades later, Friedrich in Germany, Mike in Pennsylvania, and Ivy in California each, in turn, become interwoven when the very same harmonica lands in their lives. All the children face daunting challenges: rescuing a father, protecting a brother, holding a family together. And ultimately, pulled by the invisible thread of destiny, their suspenseful solo stories converge in an orchestral crescendo.

Richly imagined and masterfully crafted, this impassioned, uplifting, and virtuosic tour de force will resound in your heart long after the last note has been struck.

Be sure to get entered in our drawing for a free copy of the book!! All you have to do is comment on any blog post by May 8!

We hope to see you on May 22!

10 Children’s and YA Books Celebrating Latinx Poetry and Verse

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Hello all –

I am thrilled to be celebrating National Poetry Month with you!  As with many of you, poetry holds a dear place in my heart.  As a young person, I recall writing poem after poem and finding such liberation in exploring my voice, playing with syntax and line breaks, and testing out vocabulary that had yet to find a place in my daily life.  Poetry allowed for a freedom and creativity that was unmatched in other mediums.  And because of this, I believe that writing poetry enables us to develop our own voice, author our own truths, and honor our own experiences; all of which play an integral part in a young person’s social, emotional, and cognitive development.

Needless to say, there is absolutely room for poetry in both formal and informal settings.  I was introduced to poetry in the classroom and not long after, I carried it with me into my home.  For this, I am entirely grateful to those teachers.  For those of you who are not sure how to introduce poetry into your classroom or simply would like new ideas, please check out the Academy of American Poets website.  You will find a wealth of resources, including: information about National Poetry Month, ideas for how to celebrate, as well as easily searchable lessons plans for elementary through high school aged students.  I also invite you to check out the work that Vamos a Leer has done around poetry.  For starters, you can find an excellent resource that Katrina has compiled in her En la Clase post titled, Rhythm and Resistance: Teaching Poetry for Social Justice.  Additionally, this month’s Reading Roundup will highlight several previous Vamos a Leer posts which both focus on poetry and provide information about authors, activity ideas, and other relevant content.  Here’s to making this month an extra special one for your students and/or children!

Happy reading and writing everyone!

Colleen

Laughing Tomatoes and Other Spring Poems/Jitomates risueños y otros poemas de primavera
Written by Francisco X. Alarcón
Illustrated by Maya Christina Gonzalez
Published by Children’s Book Press
ISBN: 978-0892391998
Age level: Ages 6-11

Description (from Good Reads):

Tomatoes laugh, chiles explode, and tortillas applaud the sun! With joy and tenderness, delight and sadness, Alarcón’s poems honor the wonders of life and nature: welcoming the morning sun, remembering his grandmother’s songs, paying tribute to children working in the fields, and sharing his dream of a world filled with gardens. Artist Maya Christina Gonzalez invites us to experience the poems with her lively cast of characters–including a spirited grandma, four vivacious children, and playful pets who tease and delight. Follow them from page to page as they bring each poem to colorful life. Laughing Tomatoes and Other Spring Poems is a verbal and visual treat, giving us twenty opportunities to see everything for the first time.

My thoughts:

This is not the first time that Alarcón’s Laughing Tomatoes and Other Spring Poems/Jitomates risueños y otros poemas de primavera has been featured on the Vamos blog.  In 2015, Lorraine wrote an excellent ¡Mira Look! post that offers a well-rounded overview of the book as well as thoughtful resources for the classroom!  Here, I would like to say that I am happy to re-feature this award-winning, bilingual work.  Not only are the themes of family and nature always in season, this is an excellent way to introduce poetry to young readers.  Happy (re)reading!

Round is a Tortilla: A Book of Shapes
Written by Rosanne Thong
Illustrated by John Parra
Published by Chronicle Books
ISBN: 9781452106168
Age level: Ages 3-5

Description (from Good Reads):

Round are tortillas and tacos, too Round is a bowl of abuela’s stew. In this lively picture book, children discover a world of shapes all around them: Rectangles are ice-cream carts and stone metates, triangles are slices of watermelon and quesadillas. Many of the featured objects are Latino in origin, but all are universal in appeal. With rich, boisterous illustrations, a fun-to-read rhyming text, and an informative glossary, this playful concept book will reinforce the shapes found in every child’s day!

My thoughts:

Although Thong’s Round is a Tortilla does not fall within the “traditional” likeliness of a poetry book –its lyrical nature and playful use of words makes for a perfect fit to this month’s theme.  As Katrina writes in her En la Clase post, the book “really inspire[s] the reader to be fully aware of all the sights, sounds, smells, tastes, and textures around them;” skills that are essential for any developing poet.  Additionally, within Katrina’s post you will find some excellent ways to link this (and Thong’s other highly recommended book, Green is a Pepper) to poetry.  For an overview of both Round is a Tortilla and Green is a Pepper, head on over to Lorraine’s review!

Talking with Mother Earth/Hablando con Madre Tierra
Written by Jorge Argueta
Illustrated by Lucía Ángela Pérez
Published by Groundwood Books
ISBN: 978-0888996268
Age level:  Ages 5-8

Description (from Good Reads):

Tetl’s skin is brown, his eyes are black, and his hair is long. He’s different from the other children, whose taunts wound him deeply, leaving him confused and afraid. But Tetl’s grandmother knows the ancient teachings of their Aztec ancestors, and how they viewed the earth as alive with sacred meaning. With her help, he learns to listen to the mountains, wind, corn, and stones. Tetl’s journey from self-doubt to proud acceptance of his Nahuatl heritage is told in a series of powerful poems, beautifully expressed in both English and Spanish. Vivid illustrations celebrate nature’s redemptive powers, offering a perfect complement to the poignant story.

My thoughts:

I am always a fan of Argueta’s work and Talking with Mother Earth/Hablando con Madre Tierra is no exception.  This masterfully written and colorfully illustrated bilingual book of poetry focuses on self-love and nature.  What I find to be particularly valuable about this book, however, is that it challenges dominant ideas of what is considered acceptable and ‘the norm.’  This books invites us to look within ourselves to discover who we are and love ourselves not despite this, but because of this!  This book is also a great way to explore the theme of (de)colonization.  For more ideas on how to incorporate this theme and get a general sense of the book, please see Lorraine’s ¡Mira Look! post.

Somos como los nubes/We Are Like the Clouds
Written by Jorge Argueta
Illustrated by Alfonso Ruano
Published by Groundwood Books
ISBN: 978-1554988495
Age level: Ages 7-12

Description (from Good Reads):

Why are young people leaving their country to walk to the United States to seek a new, safe home? Over 100,000 such children have left Central America. This book of poetry helps us to understand why and what it is like to be them.

This powerful book by award-winning Salvadoran poet Jorge Argueta describes the terrible process that leads young people to undertake the extreme hardships and risks involved in the journey to what they hope will be a new life of safety and opportunity. A refugee from El Salvador’s war in the eighties, Argueta was born to explain the tragic choice confronting young Central Americans today who are saying goodbye to everything they know because they fear for their lives. This book brings home their situation and will help young people who are living in safety to understand those who are not.

Compelling, timely and eloquent, this book is beautifully illustrated by master artist Alfonso Ruano who also illustrated The Composition, considered one of the 100 Greatest Books for Kids by Scholastic’s Parent and Child Magazine.

My thoughts:

As mentioned above, I am a fan of Argueta!  In a time when migration and borders are the forefront of everyone’s minds, this book feels particularly salient.  Undoubtedly, it challenges much of the political rhetoric around those who make their way into the US by humanizing and articulating the realities of why people immigrate.  The verses are simple, yet extraordinarily powerful.  Additionally, Alfonso Ruano’s artwork is simply captivating.  For a more in depth review of Somos como los nubes/We Are Like the Clouds, head on over to the Kirkus Review.

Poesía eres tú
Written by F. Isabel Campoy
Illustrated by Marcela Calderón
Published by Santillana USA
ISBN: 978-1631139642
Age level: Ages 7-10

Description (from Amazon):

For decades, F. Isabel Campoy has been delighting us with her poetry in various publications. Here, we can enjoy all of it. An endless party!

My thoughts:

I am sure that many Vamos readers are familiar with the award winning author and educator, F. Isabel Campoy.   Being fairly new to the field of children’s literature, I am just beginning to familiarize myself with her work – and I am delighted to be doing so!  Campoy’s Spanish language poetry anthology, Poesía eres tú, is diverse in themes; playful in sound, cadence, and rhythm; and rich in colorful art!  You can find a sampling of some of the poems at the publisher’s, Santillana USA, website.  I also encourage you to explore Campoy’s website, where you will find a wealth of books that she has both written and co-written (with Alma Flor Ada, below) in English, Spanish, and both!

Todo es una canción
Written by Alma Flor Ada
Illustrated by Maria Jesus Alvarez
Published by Alfaguara Infantil
ISBN: 978-1616051730
Age level:  Ages 7 and up

Description (from Santillana USA):

This delightful book gathers a selection of the most notable poems written by Alma Flor Ada—Latina writer, teacher, and passionate advocate for bilingual and bicultural education in the U.S. Organized by curriculum themes, this anthology is a fundamental tool for teachers who rely on imagination, play, and creativity to expand concepts and to enrich students’ vocabulary. Some of the themes included in the anthology are the parts of the body, numbers, vowels, family, animals, the city and the countryside, food, nature, bilingualism, and much more.

My thoughts:

Similar to F. Isabel Campoy, I am just beginning to discover the prolific writings of author, poet, and educator Alma Flor Ada.  Todo es una canción, an anthology of Ada’s poems, has been a great way to get acquainted!  The Spanish language book offers educators a variety of themes to work with in the classroom and young readers a wealth of ideas for writing their own poems.  And in case you are in need of additional education resources (who isn’t?) please head over to her website and explore videos, activity pages, and learn about the other books she has authored, or co-authored (with F. Isabel Campoy)!

Cool Salsa: Bilingual Poems on Growing up Latino in the United States
Edited by Lori Marie Carlson with Introduction by Oscar Hijuelos
Published by Square Fish
ISBN: 978-1250016782
Age level: Ages 8-12

 Description (from Good Reads):

Here are the sights, sounds, and smells of Latino culture in America in thirty-six vibrant, moving, angry, beautiful and varied voices, including Alicia Gaspar de Alba, Ana Castillo, Sandra Cisneros, Luis J. Rodríguez, Gary Soto, and Martín Espada.

Presented in both English and Spanish, each poem helps us to discover the stories behind the mangoes and memories, prejudice and fear, love and life–how it was and is to grow up Hispanic in America….

My thoughts:

For exploring poetry with older readers, educators will find Cool Salsa: Bilingual Poems on Growing up Latino in the United States to be an invaluable collection.  This bilingual book of poetry brings together diverse voices from the Latin@ community with writings that invite adolescent and older readers to think about their own stories of growing up.  Overall, I really enjoyed the poetry within this book.  I do, however, think this book may be more appropriate for 12 and up, as some of the poems are more mature in content – despite the indicated age level of 8-12.  What are your thoughts?

CrashBoomLove: A Novel in Verse
Written by Juan Felipe Herrera
Published by University of New Mexico Press
ISBN: 978-0826321145
Age level: Grades 9-12

Description (from Good Reads):

In this novel in verse–unprecedented in Chicano literature–renowned poet Juan Felipe Herrera illuminates the soul of a generation. Drawn from his own life as well as a lifetime of dedication to young people, CrashBoomLove helps readers understand what it is to be a teen, a migrant worker, and a boy wanting to be a boy.

Sixteen-year-old Cesar Garcia is careening. His father, Papi Cesar, has left the migrant circuit in California for his other wife and children in Denver. Sweet Mama Lucy tries to provide for her son with dichos and tales of her own misspent youth. But at Rambling West High School in Fowlerville, the sides are drawn: Hmongs vs. Chicanos vs. everybody vs. Cesar, the new kid on the block.

Precise and profound, CrashBoomLove will appeal to and resonate with high school readers across the country.

A California farmworker kid’s season in hell, told through fast-verse lines that careen to the beat of a fiery heart.

My thoughts:

As Katrina writes in her En la Clase post, novel in verse is an excellent way to introduce young people to poetry.  Juan Felipe Herrera’s book, CrashBoomLove: A Novel in Verse, is a great option.  The narrative, featuring a male protagonist, offers a glimpse into the challenges of being a young person when there is a lot going on around you.  The themes – along with the element of grittiness – are certainly something that my younger self would have appreciated reading about.  Additionally, it is novels (in-verse) such as these that can further encourage young people to reflect on their own stories, their own experience, and their own surroundings; prompting their creative ability to think of their lives in poetic terms.  Consider including this one on shelves if it’s not already!

Bravo!: Poems About Amazing Hispanics
Written by Margarita Engle
Illustrated by Rafael López
Published by Henry Holt and Co.
ISBN: 978-0805098761
Age level: Ages 8-12

Description (from Good Reads):

Musician, botanist, baseball player, pilot—the Latinos featured in this collection come from many different countries and from many different backgrounds. Celebrate their accomplishments and their contributions to a collective history and a community that continues to evolve and thrive today!

Biographical poems include: Aida de Acosta, Arnold Rojas, Baruj Benacerraf, César Chávez, Fabiola Cabeza de Baca, Félix Varela, George Meléndez, José Martí, Juan de Miralles, Juana Briones, Julia de Burgos, Louis Agassiz Fuertes, Paulina Pedroso, Pura Belpré, Roberto Clemente, Tito Puente, Ynes Mexia, Tomás Rivera

My thoughts:

Bravo!: Poems About Amazing Hispanics, written by Margarita Engle is a unique look into the lives of influential and inspiring Latin@s.   Like many of the books on this list, Bravo! can serve multiple purposes.  Not only does it introduce poetry, it also teaches about people that are often overlooked in our school text books.  I certainly learned about several people that I did not know about, including botanist, Ynés Mexía, from Mexico and arms dealer, Juan de Miralles, from Cuba.  Rafael López’s artwork is also stunning!

Under the Mesquite
Written by Guadalupe Garcia McCall
Published by Lee & Low Books
ISBN: 978-1600604294
Age level: Ages 14-17

Description (from Good Reads):

Lupita, a budding actor and poet in a close-knit Mexican American immigrant family, comes of age as she struggles with adult responsibilities during her mother’s battle with cancer in this young adult novel in verse.

When Lupita learns Mami has cancer, she is terrified by the possibility of losing her mother, the anchor of her close-knit family. Suddenly, being a high school student, starring in a play, and dealing with friends who don’t always understand, become less important than doing whatever she can to save Mami’s life.

While her father cares for Mami at an out-of-town clinic, Lupita takes charge of her seven younger siblings. As Lupita struggles to keep the family afloat, she takes refuge in the shade of a mesquite tree, where she escapes the chaos at home to write. Forced to face her limitations in the midst of overwhelming changes and losses, Lupita rediscovers her voice and finds healing in the power of words.

Told with honest emotion in evocative free verse, Lupita’s journey toward hope is captured in moments that are alternately warm and poignant. Under the Mesquite is an empowering story about testing family bonds and the strength of a young woman navigating pain and hardship with surprising resilience.

My thoughts:

Under the Mesquite, written by Guadalupe Garcia McCall, has been highlighted several times on the Vamos blog throughout the years.  With good reason, too!  Winner of the Pura Belpré Award, this novel in verse is a riveting read and great way to introduce and encourage poetry with high school aged readers.  Here, I would like to turn to Katrina’s thoughts on the book from 2013, because they are just as applicable and meaningful today:

Under the Mesquite is a beautiful book.  While it was a quick read, it lingered in my mind.  I found myself continuing to think about it days after I’d finished it.  It’s a book that is certainly worth a second (or even third) read.  The first time through I was engrossed in the story, only subconsciously aware of the beauty and simplicity of McCall’s verse. When I returned to the  novel later, I found myself incredibly moved by the imagery and sentiments conveyed through McCall’s words.  I think Lyn Miller-Lachmann describes it best in her own review: “. . .one of the most achingly beautiful novels I’ve read in a long time. It is a story from the heart, not written to fit into a marketing category but to remember, to honor, and to bear witness.”

¡Mira, Look!: Con el sol en los ojos/ With the Sun in My Eyes

Image result for with the sun in my eyes jorge lujanSaludos todos! This week we are kicking off April with a wonderful, spring-timey book. Our themes for April are the Earth and nature in celebration of Earth Day and also poetry in celebration of National Poetry Month. Although not all of my books for this month will be able to combine both of these themes so nicely, this week’s book indeed does. Con el sol en los ojos/ With the Sun in My Eyes, written by an Argentinian poet, Jorge Lujan, and illustrated by an Iranian artist, Morteza Zahedi, is a lovely story (written as a collection of poems) about a young boy and girl who discover the world and all of its natural beauty: “In this book of short poems, a young boy and girl find wonder, magic, beauty and humor in everything around them.” Although this book at first glance may seem sweet and simplistic, the poetry can be difficult to understand for younger children and the degree of artistic license and creativity used in this book might make it more interesting and enriching for older children (years 9-12).

The book opens with a quote by Walt Whitman that can guide readers in their subsequent readings of the poems: “There was a child went forth every day,/ And the first object he look’d upon, that object he became.” This quote expresses the beautiful way in which children can become absorbed by their surroundings, and how the details of our environment, which sometimes allude us busy adults, are not lost on children and their wonderful creativity and imagination.

The first poem is told from perspective of one of the children as he describes the street where he lives and the trees surrounding his home: “My street is like the trunk of an almond tree/ that blossoms somewhere else./ Who knows if its roots reach down/ into the eastern sky./ Who knows if this house is a nest/ built between trunk and branch./ Who knows if at the tips of its branches/ mysterious fruits are ripening…/ Does anybody know?/ Who knows.” This short and sweet poem emphasizes themes of interconnectedness, as well as the supreme unknown about nature and its complex systems. This element of mystery emphasizes the awe of young children, but also the grandeur of the natural world. The comparison between a street (that is man-made) and an almond tree also shows how we cannot remove ourselves from the natural world, but must learn to live alongside it with respect.

Like with many poetry books for children, this book could be used in a lesson on poetry and writing poetry. However, this particular book could also be used with themes of nature, climate change, and eco-friendly habits. As our earth is consistently breaking record-high temperatures, ice caps are melting, and air pollution is affecting the health of people, especially children, it is important to teach our kids eco-friendly habits early on, and to raise awareness about how our everyday actions impact the earth. While this may be a somewhat difficult topic, using interesting and fun activities such as poetry and illustrations could be a way to render it more palpable for young children.

Zahedi’s simplistic but beautiful illustrations could also inspire lessons on art, such as illustrations to accompany the students’ poems. According to a review from Goodreads, “Once again Jorge Luján brings young readers a lyrical and joyful collection of poems. Morteza Zahedi’s powerful illustrations in densely saturated colors perfectly complement the poems’ subtle explorations.” Both the poetry and the illustrations in this lovely collection invite creativity, daydreams, imagination, and self-reflection. This collection is perfect for teachers looking to inspire the creative instinct of their students, while also teaching them about the natural world and the importance of preserving it.

For those of you interested in using this book in the classroom, and finding ways to teach eco-friendly habits to children, here are some additional links:

Stay tuned for more great reads!

Hasta pronto!

Alice


Images Modified from: Con el sol en los ojos/ With the Sun in My Eyes pages 4, 7 9, 13, 14

¡Mira, Look!: Letters Forever/ Cartas para siempre

Saludos todos! This week we are concluding our March theme of women and Women’s History Month with another great read. Last week I featured the Coleccion Antiprincesas, which provides readers with biographies of underrepresented and under-studied historical Latina heroines. This week, however, we are switching gears a bit, focusing more on the courage and determination of young girls in our everyday lives. The book for this week is Letters Forever/ Cartas para siempre, written by Tom Luna and illustrated by Laura Alvarez. This wonderful story focuses on a young, female protagonist who has to learn how to navigate her complicated emotions in a difficult situation. Not only does this book show young readers how to cope with separation and heartache, it also counters stereotypes and challenges negative representations of women and girls by portraying a young girl whose empathy and emotional sensibility is not a flaw or a nuisance, but, ultimately, one of her greatest virtues.

This book tells the story of young Camila and her beloved abuelo, Felix, who lives far away in Veracruz, Mexico: “It had been two years since he left San Antonio to return home to Veracruz.” Camila reflects on the bittersweet memories of her grandfather playing his favorite guitar, the requinto, and how he would sing her lullabies when she was a little baby: “He had a deep beautiful voice and played the requinto with an almost angelic touch.” Although the plot following the female protagonist challenges typical, negative representations of women and girls, the character description of the grandfather also challenges expectations of men and boys. The grandfather is sensitive, artistic, loving and participates actively in caring for his grandchild, taking her on outings to the zoo and the park, to name a few, all the while singing or whistling tunes from Veracruz.

Although Camila misses her grandfather greatly, her parents say that they do not have enough money to afford a trip to Veracruz to visit him. However, one day, deciding to take matters into her own hands, young Camila hops on her bike determined to ride the 938 miles to Veracruz to see her dear grandfather: “‘I’m going to see Grandpa Felix in Veracruz,’ said Camila with a defiant stance.” As one would imagine, Camila’s mother quickly intervenes and tells her to come back home, that she can’t ride her bike all the way to Veracruz, but that one day they’ll have enough money saved up for a visit. Although Camila’s immediate solution to her grandfather’s absence is, of course, not one that I or parents and educators would likely recommend to their students, this scene does illustrate Camila’s determination and her willingness to try to solve her problem independently. This scene also serves as a contrast to Camila’s eventual, more reasonable solution to her feelings, showing readers Camila’s learning curve and her progress in figuring out both what her feelings are and what to do about them.

After her failed attempt at biking 938 miles to Veracruz, and her mother’s brief scolding, Camila decides that a more appropriate response might be to write a letter to her grandfather and ask him to be her pen pal. This solution is also one arrived at entirely by Camila herself, further emphasizing her independence and her ability to learn and navigate tough situations on her own: “She went into her room, pulled out her diary and decided then and there that she would write to her grandfather and ask him to write her back.” What I also particularly love about this scene is the mention of Camila’s journal-writing as a catalyst for her emotional development and decision-making. As an avid writer and “journaler” myself, I, too, have found this to be a very useful strategy in coping with tough situations, sorting out my thoughts and feelings, and figuring out how to proceed. Moreover, as the story continues in a somewhat epistolary format, composed of letters between Camila and her grandfather, teachers could conduct various lessons based on two forms of writing: first, letter-writing and the epistolary novel form, and, second, journal writing. As an exercise in writing and verbal expression, teachers could ask their students to write in a journal every day. Teachers could also conduct exercises in letter-writing and, especially for foreign language students, teach their students proper opening and closing statements, such as “Querido abuelo/ Dear grandpa.” This story is entirely bilingual, which is especially useful for comparing the letter-writing format between English and Spanish. In addition, the simplistic illustrations found within this book could also inspire students to create drawings of their own to accompany their journal entries or letters. As noted by a School Library Journal review, “Rough-hewn, heavily brushed paintings tracking Camila’s progress to adulthood and Grandpa’s to gray-haired old age accompany narrative passages of English over Spanish.” In this story, the prose is just as important as the illustrations in conveying the passing of time, and both Camila’s physical and emotional growth.

Towards the end of the story we see Camila grown up to be a young, 18-year-old woman. Her family still has not been able to save enough money to go to Veracruz, but Camila is determined to go nonetheless: “On the day Camila turned 18, she was in her room with photos of her grandfather all around. She was working now and saving her money. Her family never did go to Veracruz but Camila was saving to go on her own.” This scene again reinforces Camila’s agency and independence, her ability not only to work hard towards a self-determined goal, but also to eventually travel on her own.What I find especially powerful about this scene is the way in which it emphasizes “ambition” as not only working towards professional and academic goals, but also towards emotional and interpersonal goals. Oftentimes “emotional labor,” or the work that one puts into emotionally supporting others, is unconsciously expected of women while also being undervalued, unrecognized and unremunerated, in both the home and the workplace. This heartwarming scene emphasizes the hard work that Camila put into sustaining a relationship with her grandfather over the years, as well as her grandfather’s boundless joy and appreciation upon finally seeing her arrive in Veracruz (belated spoiler alert!).

All in all, this book is a wonderful resource for teaching a variety of subjects from writing and correspondence, to emotional development and maturity.  Letters Forever/ Cartas para siempre challenges typical representations of gender roles through children’s literature, empowering both young girls and boys.

For those of you interested in using this book in the classroom, here are some additional resources:

Stay tuned to an introduction to our April themes and more great reads!

¡Hasta pronto!

Alice


Images Modified from Letters Forever/ Cartas para siempre: Pages 7, 9, 14, 15, 21

¡Mira, Look!: Colección Antiprincesas

Image result for coleccion antiprincesasSaludos todos! I’m back with my weekly Mira, Look posts after a short time off for Spring Break. This month we have been celebrating Women’s History Month by featuring books about the wonderful women found throughout history and within our personal lives as well. This week I’ll be reviewing three books from the Colección Antiprincesas. This collection is meant to feature “grandes mujeres,” or prominent women in history, in order to show that women don’t have to be your typical “princess”; in fact, many of these women were so formidable precisely because they went against gender norms and fought for what they believed in.

The Colección Antiprincesas has received a lot of media attention, specifically through channels (blogs, magazines, etc.) that focus on Latinx literature for children, such as Remezcla’s post, These Anti-Princess Books Give Young Girls Badass Latina Heroines to Look up to. Since these new releases have been talked about so much within the children’s literature community, I thought it was a good idea to contribute my views and join in the discussion. Needless to say, we also greatly welcome the input of our readers in fostering a larger, dynamic discussion about this collection and Latinx children’s books in general!

The first book in the Colección Antiprincesas features Frida Kahlo, a timeless Mexican artist known for her captivating art, but also for her bold, individualistic style and her candid honesty in expressing the most personal aspects of her life, including chronic physical pain and heartbreak. Kahlo was also known for marching to her own beat and has turned into a renowned icon in Latin America and across the world for challenging beauty standards and social norms. Kahlo has been featured many times already on the blog, including Katrina’s Teaching about Frida Kahlo post, Lorraine’s book review on Viva Frida, and Neoshia’s book review on Frida Kahlo.

Although it would seem difficult to bring something new to the discussion after so many resources and books have already been published about Kahlo, the Colección Antiprincesas manages to do just that, thanks in large part to their unique format. Each double-page spread has an illustration that caters to the eyes of younger readers, along with more detailed historical information, discussion questions, and black and white archival photographs. The unusual format of this book makes it a bit difficult to use with younger readers or students reading independently; however, these books are perfect as a resource for teachers. Teachers could draw on the information from these books to teach about these prominent historical figures, incite discussion about the lives and work of these figures, and show images to attract the attention of students of a variety of ages. In addition, these books are monolingual and are written exclusively in Spanish, which means they serve a valuable purpose for bringing Latin American heroines to Spanish speaking audiences. A review by School Library Journal also comments upon this as an attribute of these books—they’re Spanish language books that are easy to get a hold of here in the U.S: “VERDICT An excellent choice for libraries seeking works in Spanish for elementary students, especially where biographies are needed.”

Although the multimedia, patch-work style of the book might make it hard for students reading or working independently, the varied information could lead teachers on a variety of lesson-plan trajectories. For example, one page of the Frida Kahlo book includes the definition of the art term, “surrealism,” along with examples of Kahlo’s work. This could lead teachers to a lesson plan on surrealist art where they compare Kahlo’s work to other surrealist artists, such as Salvador Dali. Another part of the book focuses on Kahlo’s activism fighting for the rights of workers in Mexico. This, too, could lead to an expansive lesson plan on the rights of workers throughout Mexican history, and of Mexican-American workers here in the U.S.

The second and third books of the collection feature Violeta Parra, contemporary Chilean composer and songwriter, and Juana Azurduy, Bolivian guerilla military leader born in the late 1700s. The format for these two books is the same as the first, with simplistic illustrations, historical information and educational definitions, such as “arte popular” (popular art), and “colonias” (colonies). Like with the first book, this information could lead to other related lessons on popular art in the Americas or the history of colonialism and liberation.

One of the wonderful things about these books is that, with the exception of Kahlo, they focus on Latina heroines who are not typically discussed and certainly not included in the classroom – even when discussing Latin American history! Admittedly, I had not heard of Violeta Parra or Juana Azurduy before reading these books. These books also don’t sugarcoat the hardships that these women went through in their lifetimes. Part of the “anti-princess” perspective of these books is precisely that they do not portray women as perfect and pretty; rather these books are straight forward when talking about their hardships, and the illustrations don’t “beautify” the women with western standards of beauty. School Library Journal also comments upon Saá’s illustrations: “The often graphic novel–like art—vibrant, bold colors outlined in black—depicts scenes from the text and enhances the view of the subjects as strong heroines.

Ultimately, these books are an excellent contribution to Spanish-language children’s books accessible here in the U.S., and to any collection of biographies of powerful Latina role models. Putting aside the critique that the unusual formatting could be a challenge for young readers, these books prove an excellent resources for educators looking to teach their students more about underrepresented Latina heroines.

For those of you interested in using these books in the classroom, here are some additional resources:

For those of you interested in learning more about the author and illustrator, here are some additional resources:

Stay tuned for some more great reads!

¡Hasta pronto!

Alice


Images modified from: Coleccion Antiprincesas pages 4, 6, 7, 8, 13

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Our Next Good Read: The Head of the Saint

Join us April 10 at The Head of the SaintTractor Brewing (1800 4th St NW) from 5:00-7:00 pm to discuss our next book.  We are reading The Head of the Saint by Socorro Acioli.

Here’s a sneak peek into the book from Goodreads:

After walking for days across the harsh Brazilian landscape only to be rejected by his last living relative, Samuel finds his options for survival are dwindling fast – until he comes to the hollow head of a statue, perfect for a boy to crawl into and hide…

Whilst sheltering, Samuel realises that he can hear the villagers’ whispered prayers to Saint Anthony – confessing lost loves, hopes and fears – and he begins to wonder if he ought to help them out a little. When Samuel’s advice hits the mark he becomes famous, and people flock to the town to hear about their future loves. But with all the fame comes some problems, and soon Samuel has more than just the lovelorn to deal with. A completely charming and magically told Brazilian tale, sure to capture your heart.

Be sure to get entered in our drawing for a free copy of the book!! All you have to do is comment on any blog post by April 3!

We’ll also be raffling off a copy of May’s featured book, EchoJoin us that evening to be entered!

We hope to see you on April 10!

¡Mira Look!: Conoce a Gabriela Mistral/ Get to Know Gabriela Mistral

Image result for conoce a gabriela mistralSaludos todos! This week we are starting our March theme of women in children’s literature, in celebration of Women’s History Month. Our book for this week is Get to Know Gabriela Mistral, written by Georgina Lazaro Leon and illustrated by Sara Helena Palacios. This bilingual book is part of a series of “Conoce a…/ Get to Know….” books that provide children with biographies of well-known, and sometimes lesser-known, Hispanic heroes.

Gabriela Mistral was a Chilean author and poet and she was the first Latin American author to win the Nobel Prize for Literature in 1945. Although Mistral is indeed very well-known within the literary community, outside of the literary community she is often eclipsed by some of her twentieth century male contemporaries, such as Pablo Neruda and Jorge Luis Borges. This informative story traces Mistral’s life, both her childhood and her work as a writer, and even introduces readers to some of her lovely poetry, ultimately putting the spotlight on a timeless woman, a Latin American hero and literary icon.

Gabriela Mistral was the Chilean author’s pseudonym and the story refers to the protagonist by her original name, Lucila. Young Lucila grew up in a small Andean village and at a young age her father “disappeared,” walking out on her mother and the family. Lucila lived with a sadness in her heart. She was timid, but pensive, sweet and always reading or writing: “And that’s how Lucila grew up: solitary, quiet and sometimes sad.” She started writing at a very young age, which when she adopted her pseudonym, Gabriela Mistral.

After her father’s disappearance, Lucila and her mother went to go live with her grandmother for a while. Lucila’s grandmother was a great inspiration to her, a strong and independent woman who served as her role model and even her muse for many of her poems: “This grandmother was a big, strong woman, strange and silent. She read the future in the stars and was very religious. She supported herself by embroidering ornaments for the church.” Growing up without her father, Lucila derived most of her support, guidance, and encouragement from the women in her life— her sturdy, inspirational grandmother, her compassionate mother, and her sharp older sister, who worked as a teacher in her town.

Each paragraph or page of this book is complemented by a quote or section from one of Gabriela Mistral’s poems. This wonderful narrative style not only exposes readers to examples of Mistral’s poetry, but also shows how her poetry was deeply influenced by and intertwined with her personal life. Leon pairs each paragraph with a section of Mistral’s poetry that bares similar themes to the part of her personal life being narrated in that moment. As a result, Mistral’s life experiences and identity, and her art are inseparable.

This narrative focuses primarily on Lucila’s childhood, the parts of her life that are most relevant and understandable for young readers. Readers can identify with her quirkiness, her solitude and even her early and persistent sadness. The story ends with Lucila all grown up working as a teacher: “She was a girl who was a teacher before she was a woman; a woman who without children of her own became the mother of all the children she taught, writing for them with such tenderness, sharing her message of love, peace, brother- and sisterhood. She was a woman who wrote for you and for all children, in the hope that you would learn to love words and enjoy them just as she did from a very young age.” Much of Mistral’s work reflected both her love of children and her strong feminist values. As Leon’s narrative also reflects, Mistral defined herself and her life primarily by her work, her craft, her intellect, and her dedication to helping children, rather than the gender roles that were expected of her as a woman.

This story makes a point of focusing most specifically on the ways in which Mistral’s life related to children, her own childhood and her work as a teacher, rather than on the other more esoteric aspects of Mistral’s life, her award-winning work, her political engagement in Chile and abroad, and her literary colleagues and collaborators. As such this story presents Mistral’s life and work as sources of inspiration and motivation for young children, an objective that many of us educators and bloggers here at Vamos a Leer can relate to: “She was a woman who wrote for you and for all children, in the hope that you would learn to love words and enjoy them just as she did from a very young age.”

For those of you interested in learning more about the author/illustrator, here are some additional links:

Stay tuned for more great reads about wonderful women!

Hasta pronto!

Alice


Images Modified from: Conoce a Gabriela Mistral/ Get to Know Gabriela Mistral, pages 4, 8, 11, 17