¡Buenos días! Continuing with National Poetry Month, today we will be taking a look at Bravo!: Poems About Amazing Hispanics, written by Margarita Engle and illustrated by Rafael López. Engle’s work is wonderful to read at any time, but seems even more apt right now given that she is currently serving (2017-2019) as the Poetry Foundation’s Young People’s Poet Laureate. People who hold this position aim “to raise awareness that young people have a natural receptivity to poetry and are its most appreciative audience, especially when poems are written specifically for them.”
In this particular book, Engle invites and inspires young readers with a collection of poems about 18 different Hispanics who lived between the years of 1713 and 2011. The people whom she highlights come from a variety of backgrounds, and they worked in many different fields. What they share in common is that they left an important impact on our world, and they are from 
the Americas.
Before I dive further into the review, I want to have a short conversation about the term “Hispanic” and how it’s used in the book. This is one of many terms that have been chosen by or applied to peoples of Spanish and Latin American descent, alongside terms such as Chicano, Latino, Latinx, Mexicano, Mestizo and Spanish, among others. The use of these terms, including who gets to choose them and why they choose them, is part of a much larger history than we can offer here. Nonetheless we want to pause to acknowledge their complexity and offer at least a starting point for understanding the use of the term “Hispanic” in Bravo!
“Hispanic” first appeared in the 1970s on the US Census, after activists had lobbied for the use of an umbrella category that would more thoroughly document the breadth of Spanish-speaking individuals in the US. Previously, individuals had either marked themselves as “White” 
or identified by their country of birth. In current parlance, “Hispanic” has evolved into a much more complicated word whose meaning changes depending on the context. It can be interpreted as neutral, hegemonic, politically-charged, inclusive, or exclusive. We’ve included resources further below in case you want to tease apart some of the implications surrounding it. In the case of Bravo, Engle uses the term in a positive sense and interprets it fluidly, beginning the book with this note to her readers:
“This is not a book about the most famous Hispanics. These poems are about a variety of amazing people who lived in geographic regions now included in the modern United States. They are people who have faced life’s challenges in creative ways. Some were celebrated in their lifetimes but have been forgotten by history. Others achieved lasting fame…”
She then goes on to highlight the achievements of both well-known and less famous Hispanics throughout time. Some of the impactful Hispanic people she highlights include: Juan de Miralles from Cuba, who 
helped America achieve independence from England; the fierce Juana Briones who was born in Spanish California and was a rancher, healer and midwife; Mexican-American botanist Ynés Mexía; Aída de Acosta from Cuba, who was the first female pilot; and Fabiola Cabeza de Baca, who was a New Mexican teacher, nutritionist and writer. After highlighting each historical figure, Engle writes a poem encompassing even more Hispanics who have had a large impact on our world today. It would be an endless job of fitting so many heroes into one book, and one can sense her struggle with wanting to include and celebrate as many people as she can.
Alongside Engle’s writing, Rafael López’s illustrations are magnificent. With simple outlines and saturated colors, he captures the lively personalities that shine through Engle’s poetry, and uses carefully chosen background elements to tease out details of their lives. For example, in the illustration of botanist Ynés Mexía, she is surrounded by plants and flowers. Luis Agassiz Fuertes, painter of birds, is surrounded by birds and stands in front of a background of trees. Juana Briones, healer, rancher and herbalist, stands in a field amid herbs.
This book would be great to use while working with classroom units involving poetry. Each poem is told from a first person point-of-view, which demonstrates a specific approach to writing a poem that might segue well with encouraging students to bring their own voice and experience into the classroom conversation. It could also encourage students to study historical figures and envision their experiences. For example, here is the poem Engle wrote about Paulina Pedroso (1845-1925, Cuba):
“José Martí and all the other exiled poets
meet in my Florida home, where they recite
beautiful verses, and discuss ways to bring freedom
to our homeland.
They call me a heroine for creating
a friendship society of black and white cubanos,
all of us living in exile, where we help each other,
and help the needy – orphans, widows, the poor…
When my friend and I walk arm in arm,
it is a wordless statement of equality,
Martí’s light skin and my dark skin
side by side.”
Below are a few lesson plans involving poetry that I suggest checking out to accompany Bravo!:
- readwritethink.org has some great lesson plan ideas and resources for using during National Poetry Month.
- The Poetry Foundation has a variety of resources, including poems for children in particular. Poems by Margarita Engle outside of those found in Bravo! are on this website.
- On her website, Margarita Engle has two videos with tips for teaching poetry to children.
Given that Bravo! centers around individual stories and we are inviting you to use it as a tool for focusing on your students’ stories, it might be worthwhile to bring in an activity from Rethinking School’s book, Reading, Writing and Rising Up: Teaching About Social Justice and the Power of the Written Word, by Linda Christensen. While the whole book can be purchased as a PDF for $14.95, a sample lesson plan is available for free. It’s called “To Say the Name is to Begin the Story,” and it offers a community building lesson on the personal and cultural significance of naming. Check out the book link for the lesson plan and related resources.
Returning briefly to the above conversation about Hispanic and Latino/Latinx, here are a few quick resources to add to the conversation (note: we’re not suggesting that you use these as definitive sources):
- NPR segment by Maria Hinojosa on “The Invention of Hispanics.“
- Bustle’s vide on “What’s the Difference between Hispanic, Latino, and Spanish“
- Refinery29’s articles on “Coming to Terms with ‘Latinx'”
- Net parses apart taxonomy to discuss “Are Chicanos the Same as Mexicans? “
Finally, if you enjoy Engle’s work as much as we do, you might appreciate reading our reviews of her other books, including Drum Dream Girl and Silver People: Voices from the Panama Canal, in addition to our educator’s guides for The Surrender Tree / El árbol de la rendición (available in both Spanish and English), Hurricane Dancers: The First Caribbean Pirate Shipwreck, and The Lightning Dreamer. We also posted an interview with Margarita Engle that I recommend checking out. And we also recommend you head over to Latinx in Kid Lit for their complementary review of Bravo.
We hope you enjoy this book as much as we did, and that it will be useful for you in the classroom during National Poetry Month and beyond!
Saludos,
Kalyn
Images modified from: Bravo: Poems About Amazing Hispanics
Saludos todos! This week we are continuing our theme of unsung heroes, or lesser-known figures, with Tito Puente, Mambo King/ Rey del mambo, written by Monica Brown and illustrated by Rafael López. This lively book narrates the biography of renowned Puerto-Rican/New Yorker musician, Tito Puente, and the lasting impact that he has had on Hispanic-American heritage. Although Tito Puente was a beloved and iconic musician, he is not as well known outside of the Hispanic-American community.Tito Puente, Mambo King/ Rey del mambo is a bilingual picture book that is best for ages 4-7. It won the Pura Belpre Honor Book for illustration in 2014.
Brown and López have collaborated before to write My Name Is Celia (2004), a children’s book biography of Celia Cruz, the spectacular, Cuban jazz singer, and one of many iconic musicians with whom Tito Puente worked alongside. In the back of Tito Puente, Mambo King/ Rey del mambo, Brown includes a brief, non-fictional biography where she mentions Tito Puente’s many, star-studded collaborations: “He collaborated with the most famous Latin musicians of the twentieth century, including Machito, Santana, Willie Bobo, Gloria Estefan, La Lupe, and especially Celia Cruz.” Yet many of these names have gained more recognition in the U.S. than Tito Puente himself.
Saludos, todos! This week we are featuring Drum Dream Girl: How One Girl’s Courage Changed Music, written by Margarita Engle and illustrated by Rafael López. As some of you may remember, we recently featured Margarita Engle in our 
López’s stunning illustrations complement Engle’s lyrical prose in a culmination of female empowerment and pride. As illustrator López dedicates the book to his “architect mother, Pilo, whose courage opened the ceiling above her dreams,” readers are reminded of the strength and brilliance of older generations of women, paving the way towards freedom and rights for younger generations. This book strongly resonates with the legacy of women’s rights and empowerment throughout history, in the Americas and beyond.
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