¡Hola a todos! This week’s resources are diverse and I hope they are of interest to you.
– Check out how this College Student (Kaya Thomas) Created a Mobile Directory of 600 Books that Prioritize Diversity. After realizing that most of the characters in books she read didn’t look like her, “Thomas devised an iPhone app that functioned as a directory of 300 books showcasing characters of color.”
—These Latin Americans Celebrated their Roots with a Mesoamerican Ballgame Championship in Tetiohuacán. This ballgame, known as “pitza” in the Classic Maya language, was celebrated over 3,000 years ago in the region and is today practiced as part of an effort to reclaim culture and history.
The Beehive Design Collective is a group of artists that voluntarily creates artwork dedicated to “cross-pollinating the grassroots” for use as educational and organizing tools. The graphics are created anonymously and can be used by anyone.
Beehive has released an epic trilogy of artwork exploring globalization and colonialism in the Americas. The third and final installment, released this fall, is truly magnificent. For nine years, Beehive artists worked on this intricately detailed, double-sided folding poster, illustrating stories of resistance. Titled “Mesoamérica Resiste,” the massive map drawn in old colonial style opens to reveal “the view from below, where communities are organizing locally and across borders to defend land and traditions, protect cultural and ecological diversity, and build alternative economies.” Continue reading
I wonder if students who are taught history exclusively by reading history textbooks ever learn to be historians.
With that in mind, The Mesolore Project is a bilingual, primary document resource for scholars and students of Mesoamerica. Its developers, Liza Bakewell and Byron Hamann have structured the Project to “focus on the value of consulting primary documents at any age.” Mesolore features three sixteenth-century interactive documents from Central Mexico and three from the Mixtec area of Oaxaca. Continue reading
Teacher Workshop at the NHCC
The phenomenon of Día de los Muertos can be traced through Mesoamerica, where death initiated a journey of the soul through the nine levels of Chicunamictlán (The Land of the Dead). Origins can also be traced through Europe, where the popes of four centuries grappled with paganism, eventually establishing All Saints Day and All Souls Days on November 1st and 2nd.
The National Hispanic Cultural Center (NHCC) has launched a Día de los Muertos website, exploring these fascinating origins, including the origins of specific elements like ofrendas and calaveras. The Día de los Muertos website also features lesson plans for ofrendas (all grade levels), calaveras (elementary), papel picado (all grade levels), and sugar skulls (all grade levels). Continue reading