Saludos todos! This week I will be reviewing Moví la mano/ I Moved my Hand, written by Argentinian author Jorge Lújan and illustrated by French artist Mandana Sadat, as our last January book on “unsung heroes.” So far this month I’ve reviewed children’s books that focus on heroic and fearless parents, lesser-known cultural icons, like Tito Puente, who were also active humanitarians, and brave firefighters whose invaluable work sometimes goes unnoticed. However, this week’s “unsung heroes” are children themselves.
Moví la mano/ I Moved my Hand tells the story of a young girl whose imagination, creativity and drive hold the power to change the world around her: “When a little girl moves her hand, she discovers the world and her power to change and create it anew.” Lújan’s story reads as a bilingual Spanish/English poem, complemented by Sadat’s stunning illustrations. Every one of the female protagonist’s actions, moving, shaking, stirring and swirling, to name a few, is met by a magical effect, the creation of a lake, finding the moon, and soaring through the sky. This fantastical narrative and its equally enchanting illustrations serve as a metaphor for the infinite potential at the hands of young children: “an empowering and inspiring tribute to children’s magical possibilities.” As a result, this beautiful book helps us honor and celebrate the infinite potential and imagination of young children, the “unsung heroes” of the future, as well as their magical ability to find and create beauty in the world around them.
The first two pages create a spread of two side-by-side illustrations showing the little girl standing in the middle of the living room in her pink tutu and her parents watching lovingly from the couch. The illustrations are done in black, white and gray hues with just a small splash of color for the girl’s tutu, her ballet slippers, and Lújan’s text. Already, this use of color and contrast shows how two distinct forms of art, the little girl’s dance and Lújan’s poetry, can light up a room, alter the ordinary, and dazzle an audience.
The meta-fictional dynamic found within this text— the parents portrayed as audience members for their daughter’s dance performance, and the story’s readers as audience members of Lújan’s narrative— exemplifies the ways in which children can be part of the audience, readers of this text, but also part of the performance, as dancers, writers, artists, or whatever they choose. On the following page, the protagonist’s imaginative journey and artistic performance take center stage, and the detailed, “real life,” black and white world starts to fade as additional splashes of color start to emerge. The image of her parents sitting on the couch, which previously occupied the entire first page, now appears as a silhouette in the distant corner of the next page. The presence of the girl’s parents in this story shows them as loving and supportive but also respectful of her independence and her ability to create things of her own.
As the story progresses, readers will notice more and more splashes of color as bright orange fish and rainbow unicorns appear against the black backdrop. As noted by Kirkus Reviews, the black backdrop serves as a canvas, a stage or a blank sheet of paper, waiting for the artist’s hand to take control: “Digitally collaged creatures done in colored pencil, ink and crayon interact with the precocious ballerina, who creates a universe with a wave of her hand…” All three forms of art found within this wonderful story— Lújan’s poetry, Sadat’s illustrations, and the protagonist’s dance— interact to create an enchanting mix of color, rhyme and movement.
Kirkus Reviews also notes the existentialist undertones of this picture book: “A tutu-clad child encounters existentialism through movement in this 47-word poem by award-winning Argentine poet Luján.” Although the basic tenets of existentialism—that one’s destiny is not predetermined, but, rather, reliant on one’s own independent actions—are surely too abstract for young children, when simplified and synthesized, as they are in this picture book, they serve as empowering reminders that children are in control of their lives, and capable of dreaming big. In addition, some of the actions described in the book appear rather simple and mundane, yet their reactions are grandiose and fantastical: “Toque la la luna y rodo en el cielo./ I touched the moon/ and it rolled through the night.” Just a gentle touch can set the moon traveling throughout the starry night. Again, this is a reminder of the infinite magic and potential waiting at the hands of children. A child’s actions, creations or ambitions don’t have to be monumental and sensational for their effects to be meaningful and magical.
The story ends with another two page spread mimicking the one found at the beginning of the book. After the protagonist’s journey she is welcomed home by the loving embrace of her two parents and her world has returned to its black and white palette. The following pages show the same living room, but now the lights have been turned off (the room is mostly shades of black and gray) and the family has presumably gone to bed. Out of the corner of the room emerges a rainbow unicorn who skips off across the black canvas, presumably in search of its own destiny. These final illustrations are shown without words, but they speak volumes nonetheless, reminding young readers that even once the day is done and they’ve gone to bed, the magic and beauty that they’ve contributed to this world lives on.
For those of you interested in learning more about the author and illustrator, here are some additional links:
- Personal website for Mandana Sadat
Stay tuned for more great reads and an introduction to February’s themes!
Images Modified from Moví la mano/ I Moved my Hand: Pages 2, 3, 8, 12, 13